Flavour Buddies

Cooking at home has always been a daily activity for me, pretty much since my teens. I have been going through different phases of cooking, and I cannot really say that I have satisfactorily settled with one. There are times when I want to replicate recipes with absolute precision, other periods when I become obsessed with a cuisine style and its ingredients, or various intervals where experimentation takes multiple forms, whether in terms of taste or appearance, for example.

Nebula, oil and vinegar on ceramic

Through constant change, I like to rely on certain essential elements suitable for my cooking. For instance, I still get my rock salt from Italy, as it does not really exist in the UK. The same can be said for other ingredients, such as Abruzzo’s saffron. You can find good alternatives, from India or Iran for example, yet when I am looking for its specific sweet flavour, I need to use the proper Italian crimson stigmas, often combining them with some saffron powder as well.

Similarly, oil and vinegar are equally essential in my kitchen. I should actually say oils and vinegars. Each one has a specific aroma, texture, and cooking performance, so they can be real game changers if aptly used. A basic distinction can be made between broad categories, such as vegetable, seeds, or olive oils, or white and balsamic vinegars. However, the more you experiment and cook with different types, the better you get to choose your ideal flavour enhancer. In some way, you can think of it like wearing a different perfume according to how you feel, your dress code, or the people you are going to be with.

Due to my Italian upbringing and cooking tradition, my selection of oils and vinegars is a ‘tad’ biased and strongly leans toward Italian products. I linked some of the producers’ websites, but none of the products below are sponsored or promoted. These are just my home kitchen flavour buddies. Let’s have a look at my oil bottles.

My home kitchen oils

My dream team includes a range of oils I can use for cooking, marinades, dressings, or just plain raw, plus some flavoured ones. I use Waitrose Extra Virgin Olive oil for everyday cooking, as it is a decent EVO oil, with a mild flavour, quite versatile, and it is cheap. I use it for frying, marinades for meat, or as a base for spicy dressings.

The second bottle on the left is currently my good EVO oil to be used raw. It is a Tuscan oil from Fiesole, with a light yellow colour and an elegant flavoursome finish, quite silky on the tongue and slightly robust in the throat. This kind of oil is perfect for fresh salads, or to snack on some crispy vegetable, such as bell peppers or celery.

The three bottles in the middle of the picture are my ‘luxury’ EVO oils. I only open these when I find freshly-baked bread, or buy some serious fish, or get my hands on some proper burrata. If in luck with the food, a small bottle of these might easily not survive one sitting.

The taller bottle, Marfuga EVO oil, is what I call a green oil, and I am a sucker for it. This oil from Umbria has a superb finish, which feels like a gentle tingle on the sides of your tongue, while warm balsamic perfumes fill your mouth. Because of its taste, I associate it with the colour green and it makes me happy just smelling it.

The other two smaller bottles are EVO oils from Matera, organic gems from two small producers. They are as intense as fresh and mark an aromatic, long-lasting groove on your tongue. These are delicious oils; I can spend a good five minutes only enjoying their natural fragrance when I open a bottle.

The small can and the reuse bottle are my flavoured oils. The can contains EVO oil with white truffle aroma, good for cooking and also useful to dress some cooked food, such as chips or red meat. The reuse bottle contains EVO oil with chopped bird’s eye chillies. I prefer to make small quantities of spicy oil and I use fresh chillies—which is probably an abomination to purists, as you should use dried chillies in order to make a classic chilli oil. Using the fresh chillies allows me to have a clean EVO oil flavour with a sharp spiciness from the chillies, rather than the typical round, spicy hot flavour of a classic chilli oil.

Sometimes I also buy vegetable oil, if I know I will deep fry something, or if I am making a carrot cake, for instance. Because I do not use this type of oil very often, it tends to be a buy-on-requirement only item, hence the exclusion from the group above.

Looking at my vinegars, I am possibly even more a glutton than a cook. Different vinegars inspire so many of my food memories. I use vinegars for cooking, marinades and dressings, and I secretly have an occasional sip of my reserve bottles. I do not use just one type of vinegar and there are so many shades of flavour that I have several opened bottles on my kitchen counter.

My home kitchen vinegars

The first one on the left is a sherry vinegar, which I discovered when cooking with chef Gabriel Waterhouse at the Water House Project. We first used it to caramelise banana shallots braised in apple juice and thyme, which we used to serve with polenta, as a vegetarian alternative to one of our mains. This vinegar is perfect for colouring food in the pan and it leaves a quite sharp finish, distinctly different from the sweetness you would get from a balsamic vinegar, for instance. Notes of wood are still detectable in its aroma and it feels smooth and clean on the palate.

The small bottle of Filippo Berio balsamic vinegar is a rather ordinary IGP balsamic vinegar. It is acidic and young, it contains caramel, and I use it only for meat marinades, such as a šašlik/shashlik (pork or chicken marinated for skewers to be charred on the grill). It is runny and quite sharp for a balsamic vinegar, so I find it good only for limited cooking purposes.

In a nutshell, balsamic vinegar can be Modena IGP (Indicazione Geografica Protetta) or Tradizionale di Modena/di Reggio Emilia DOP (Denominazione di Origine Protetta). The striking difference lies in two main factors, ingredients and aging. IGP allows the presence of other grapes’ vinegar and limited quantities of caramel, whereas DOP is made only with endemic DOC grapes (like Lambrusco, Ancellotta, Trebbiano, Sauvignon, Sgavetta, Berzemino), which are cooked right after pressing. Also, the IGP needs a minimum of 60-day aging to obtain the badge and can be called ‘aged’ after 3 years, whilst the DOP requires a minimum of 12 years of aging. If you do not mind waiting, the Tradizionale di Modena DOP ExtraVecchio requires a minimum of 25 years of aging.

The process of making balsamic vinegar is as relentless as it is elegant. The cooked grape must is sealed in wooden barrels for aging. With time, the vinegar reduces and it is moved to smaller and smaller barrels made of different wood (such as chestnut, durmast, cherry tree, and juniper), until it is ready. It is this long process of ripening which makes aging the real game changer.

The third bottle in the picture is a red wine vinegar from Reggio Emilia made with 100% Nebbiolo grapes, aged in oak barrels. It is not a balsamic vinegar, although it is produced with traditional methods by specialists of balsamic vinegar. It is fluid, with shades of brown and burgundy, gentle at the nose, yet punctual on the tongue. It is just lovely. This vinegar is exceptional on fresh vegetables and fish, as much as used for raw marinades.

The flask-shaped bottle is a luscious IGP, made by the oldest balsamic vinegar producer in Italy, Giuseppe Giusti, founded in 1605 (they even have a museum). It is made with must of cooked sun-dried grapes and aged wine vinegar, offering a powerful balsamic bouquet with a sweet, flavoursome finish. Its intensity makes it rather perfect for dressing on anything salty, but it is also great to glaze meat or strongly flavoured vegetables, like an aubergine steak for instance.

The next bottle is a prepared dressing with balsamic vinegar IGP. It comes from a deli shop in Parma, but it is produced in Reggio Emilia. This is perfect for salads or vegetable marinades, as it is slightly viscous and sweet on the palate. It performs similarly to commercial balsamic glazes, but it has no added sweetener such as honey or maple syrup, so it does not get sticky.

The two squared bottles are balsamic vinegar vintage reserves, the tall one coming from Acetaia Pagani, and the tiny inkwell sealed with wax from Giuseppe Giusti. They could be compared to a cuvée, as in selected prime grapes of one year.

The tall bottle from Acetaia Pagani has an insane consistency, practically impossible to describe without a degree in chemistry or physics. Even if you capsized the bottle, the vinegar would not accelerate during its fall, remaining perfectly fluid at the right density. The flavour of this vinegar is a precise equilibrium between sweet and savoury, with woody berries on the nose. I love it on strawberries accompanied by Parmesan cheese, a typical snack around Modena, as much as it tastes magic on red meat or grilled halloumi, for example.

Similarly, the inkwell contains a beautifully aged balsamic vinegar reserve, which is simply delectable. The bottle in the picture is still closed, but I had the pleasure to taste it some months ago in Milan. It is slightly fluid, yet it changes texture once opened and applied onto any food. It could be compared to lacquer, as it sets after a few minutes from use. This vinegar becomes like a flavour encasing, although without solidifying, since it releases its fruity aroma and melts on the tongue just with the warmth of your mouth. Similarly to the other balsamic vinegar reserve, it tastes fantastic when used in sweet and savoury contrasts, especially when punched by a salty flavour.

The last two bottles are quite basic vinegars that I use for cooking. Waitrose’s IGP is great for glazing food in a pan or for meat marinades before roasting. It is quite mild and makes a good base for stronger flavours, as it has no added sweeteners. The white wine vinegar at the end of the line is my go-to item for making ricotta at home, or also great for sharp, light pickling of vegetables such as radishes.

Growing up in Italy and pretty much spending a lot of time in the kitchen every day since I was a child, I learnt quite early how to use oils and vinegars for different types of food. But it certainly does not mean I know something or that these oils and vinegars above are my definitive dream team: I am always experimenting and still exploring new flavours and traditions.

Sirloin steak and roast potatoes

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Easy, essential, tasty. Of course, you need to like meat in principle; otherwise, stick to the roast potatoes which are great anyway, even on their own. For the meat, I chose a sirloin steak medallion, very close to fillet and roughly £5 less per kilo. The potatoes are Charlotte ones, because I love their sweet nuttiness and their golden colour. (Also their name, to be honest). This recipe for potatoes is fantastic: it is easily prepared and it gives you a chance to serve lovely roast potatoes with an alluring look. Try it!

Sirloin steak medallion with roast potatoes (serves 4)

4 sirloin steak medallions (about 180 g each)
2 kg potatoes
1 shallot
1 or 2 garlic cloves
3 tbsp olive oil
40 g butter
a few fresh thyme sprigs

Start with peeling, washing, and drying the potatoes with a cloth. Melt about 20 g of butter and add it to two tbsp of olive oil. Use part of this to line your baking tin–you can line it with foil, but still use the melted butter on top of the foil. Slice the potatoes with a mandoline, about 1.5 mm thick.

Place the potato slices in rows, do not worry if they look a bit tight, it is perfectly fine. If you place them too loose, they will dry out and burn. Brush the potatoes with the remaining melted butter and olive oil mix. Finely chop the shallot and place between the potatoes rows. Place in hot oven for 1 hour at 200°C/180°C fan/gas mark 6.

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While your potatoes cook, take the meat out of the fridge and let it rest on the counter without covering it–half an hour is usually fine, depending on how thick is your meat cut and if you are using a piece with bone, e.g. a côte de boeuf. I used here sirloin steak medallions, which are a rather lean part of the sirloin, at the top of the fillet.

Once the potatoes have cooked for an hour, take them out of the oven, add salt and the thyme sprigs, and put back in the oven for another 15-20 minutes till perfectly golden cooked and slightly brown on some of the top rims.

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Once the potatoes are back in the oven, season the meat, put 1 tbsp of olive oil in a hot pan, add the garlic, and brown the meat. Add the remaining butter (about 20 g) and spoon it over the meat as it melts and foams, and cook both sides. My preference is medium-rare, usually ready in 15-16 minutes. Leave for about 20 minutes for medium, and 25 minutes for medium-well. These cooking times may vary according to the steak thickness and cut.

Take off the fire and let the meat rest for a few minutes, while you take the potatoes out of the baking tin. Serve one row of potatoes–about two or three–per beef steak. Accompany with a bottle of Barbaresco, you won’t be disappointed.

by Max